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	<title>( ( ( 潛 艇 日 誌 ) ) )</title>
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	<description>東亞美學研究所</description>
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		<title>杭州聲納 4.1 明晚，現場〜</title>
		<link>http://www.post-concrete.com/blog/?p=9839</link>
		<comments>http://www.post-concrete.com/blog/?p=9839#comments</comments>
		<pubDate>Thu, 31 Mar 2011 13:49:36 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[深駭]]></category>
		<category><![CDATA[漂耳]]></category>
		<category><![CDATA[解牛]]></category>

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		<description><![CDATA[「聲納 SONART &#8211; MEDIA SOCIAL」 肉體、機械、代碼、性靈 媒體、社交、現場、激情 杭州聲納 2011.4.1 晚 6:30 PM 杭州市218號中國美院四號樓 聲納俱樂部 「聲納小組」是一支新媒体藝術團隊。它結合了中國美術學院跨媒体學院的創作、策展、理論、技術人材，系統地策劃製作跨國新媒體演出及影音出版。 「杭州聲納」是一定期舉辦的演出，探索跨媒体現場的多種實驗可能。其他地區聲納系列亦在規劃中。 「杭州聲納」和「聲納 SONART」系列是北京聲納，台北聲納，廣州聲納等現場地標的無限擴展~~ 聲納小組： 策劃：姚大鈞，馬楠，唐曉林，張健伶 技術：蔣竹韻，翁巍 音頻：陳晨，湯曉丹，王志鵬 視頻：郭熙，朱曉雯，蔡惠怡，解雙霜，蘇莎莎 協調：邵純，陳曉聰，史潤 新浪微博：@聲納SONART 官網：sonart.asia]]></description>
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		<slash:comments>3</slash:comments>
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		<title>ICE CUBE 金鋼吼</title>
		<link>http://www.post-concrete.com/blog/?p=9835</link>
		<comments>http://www.post-concrete.com/blog/?p=9835#comments</comments>
		<pubDate>Mon, 28 Feb 2011 15:19:52 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[深駭]]></category>
		<category><![CDATA[潛航]]></category>

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		<description><![CDATA[走過茶几驚見日本高野山上的金鋼吼菩薩〜 高野山有志八幡講十八箇院「五大力菩薩像」之一「金剛吼菩薩」(日本国宝）（西元九世紀）]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>琉球「塩」</title>
		<link>http://www.post-concrete.com/blog/?p=9833</link>
		<comments>http://www.post-concrete.com/blog/?p=9833#comments</comments>
		<pubDate>Sat, 19 Feb 2011 04:26:47 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[讀字]]></category>

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		<description><![CDATA[琉球「塩」]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>emo edwin</title>
		<link>http://www.post-concrete.com/blog/?p=9830</link>
		<comments>http://www.post-concrete.com/blog/?p=9830#comments</comments>
		<pubDate>Mon, 14 Feb 2011 18:00:17 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[潛航]]></category>

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		<description><![CDATA[edwin lo happy valentine&#8217;s birth~]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Surfing on Sine Waves 經典再版</title>
		<link>http://www.post-concrete.com/blog/?p=9828</link>
		<comments>http://www.post-concrete.com/blog/?p=9828#comments</comments>
		<pubDate>Mon, 14 Feb 2011 12:40:41 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[深駭]]></category>
		<category><![CDATA[漂耳]]></category>

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		<description><![CDATA[Aphex Twin (化名 Polygon Window) 經典純類比專輯《正弦波衝浪》Surfing on Sine Waves 即將重發，全新封面剛剛曝光 ↓]]></description>
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		<slash:comments>1</slash:comments>
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		<title>中國聲音藝術史料出土</title>
		<link>http://www.post-concrete.com/blog/?p=9826</link>
		<comments>http://www.post-concrete.com/blog/?p=9826#comments</comments>
		<pubDate>Fri, 04 Feb 2011 09:13:57 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[潛航]]></category>
		<category><![CDATA[絕版]]></category>

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		<description><![CDATA[〔中國聲音藝術史料〕中國聲音藝術先鋒作品出土：《變形記》、《一分鐘》，包括張君剛、徐程、王長存，和極罕的 edging 四人的作品。年代：約〜2002。]]></description>
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		<slash:comments>3</slash:comments>
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		<title>清早聽十二音</title>
		<link>http://www.post-concrete.com/blog/?p=9818</link>
		<comments>http://www.post-concrete.com/blog/?p=9818#comments</comments>
		<pubDate>Fri, 04 Feb 2011 04:27:41 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[潛航]]></category>

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		<description><![CDATA[大早宜聽新維也納樂派十二音作曲 如 Alban Berg 歌劇 Lulu 頻率無中心卻數學精準地八方擴張 德意志式的意志戰勝肉体最高体現 清耳醒腦 通筋活絡]]></description>
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		<slash:comments>0</slash:comments>
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		<title>新耳快樂〜〜</title>
		<link>http://www.post-concrete.com/blog/?p=9814</link>
		<comments>http://www.post-concrete.com/blog/?p=9814#comments</comments>
		<pubDate>Thu, 03 Feb 2011 10:25:12 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[深駭]]></category>
		<category><![CDATA[漂耳]]></category>
		<category><![CDATA[潛航]]></category>

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		<description><![CDATA[猛然驚覺 家中有隻兔子 happy new EAR 〜〜]]></description>
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		<slash:comments>9</slash:comments>
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		<title>Rolf Julius 2010</title>
		<link>http://www.post-concrete.com/blog/?p=9810</link>
		<comments>http://www.post-concrete.com/blog/?p=9810#comments</comments>
		<pubDate>Thu, 27 Jan 2011 07:16:11 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[潛航]]></category>
		<category><![CDATA[絕版]]></category>

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		<description><![CDATA[2010, Kowloon, Lamma Island Photos by Dajuin]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Attali 演講稿 2001</title>
		<link>http://www.post-concrete.com/blog/?p=9802</link>
		<comments>http://www.post-concrete.com/blog/?p=9802#comments</comments>
		<pubDate>Wed, 26 Jan 2011 04:14:34 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[絕版]]></category>
		<category><![CDATA[解牛]]></category>
		<category><![CDATA[讀字]]></category>

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		<description><![CDATA[Jacques Attali 的鉅著 Noise: The Political Economy of Music 寫於 1977 年，之後的音樂內容及音樂業界經濟模式變化當然無比劇烈，然而這些現象如何與書中的推理結合，能否結合，再推演，一直未見大師親自出面說法。 最近朋友提醒，才想起英國 The Wire 雜誌 2001 年 7 月號（第 209 期）裡有一篇 Attali 2001 年的演講稿，正好談這個。原雜誌已不見，找了半天，才找到自己當年作的 OCR 掃描文字檔，是當時李如一公布在西祠胡同上的 (http://sinaurl.cn/hGz8MI)。 現作成 PDF 文檔，便於研讀、流通。 PDF 下載 ＞ 事實上，1977 年的原書在最後結尾的 Composing 一章裡已經對於未來音樂經濟及社會架構的預卜──本當為全書最關鍵的精要──寫不下去，草草收筆。而阿達利在這篇 Noise 更新版裡還是沒提出令人滿意的說法，雖然，在我看來，這幾十年，尤其九十年代後半和二十一世紀前十年的重要變化已經能提供不少線索。無論如何，這些問題，我們仍然要朝這些方向想下去〜]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>心中浮屠</title>
		<link>http://www.post-concrete.com/blog/?p=9800</link>
		<comments>http://www.post-concrete.com/blog/?p=9800#comments</comments>
		<pubDate>Wed, 26 Jan 2011 02:45:01 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[潛航]]></category>

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		<description><![CDATA[Borobudur，杭州]]></description>
		<wfw:commentRss>http://www.post-concrete.com/blog/?feed=rss2&#038;p=9800</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>今日漢字實踐國</title>
		<link>http://www.post-concrete.com/blog/?p=9796</link>
		<comments>http://www.post-concrete.com/blog/?p=9796#comments</comments>
		<pubDate>Tue, 25 Jan 2011 14:57:38 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[深駭]]></category>
		<category><![CDATA[解牛]]></category>
		<category><![CDATA[讀字]]></category>

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		<description><![CDATA[小谷拓矢「結」 日本東北藝術工科大學畢業展人肉海報，看看製作影片＞ http://sinaurl.cn/hb9v0j 按右上角 &#8220;MAKING MOVIE&#8221; 上圖放大後，注意每一筆劃下筆提筆處的精心設計：全用叉開的手指、握拳、雙握拳、捲起袖子的弧度、帽沿陰影切角、手臂粗細變化、頭髮切角等等細部設計安排的〜〜 http://www.tuad.ac.jp/]]></description>
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		<slash:comments>5</slash:comments>
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		<item>
		<title>懷念 Bhimsen Joshi</title>
		<link>http://www.post-concrete.com/blog/?p=9788</link>
		<comments>http://www.post-concrete.com/blog/?p=9788#comments</comments>
		<pubDate>Mon, 24 Jan 2011 18:12:47 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[絕版]]></category>

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		<description><![CDATA[北印度人聲大師 Pandit Bhimsen Joshi (1922〜2011) 北印度音樂高峰時代接近終結。]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Rolf Julius, Back to the Neutral</title>
		<link>http://www.post-concrete.com/blog/?p=9786</link>
		<comments>http://www.post-concrete.com/blog/?p=9786#comments</comments>
		<pubDate>Mon, 24 Jan 2011 18:06:20 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[絕版]]></category>

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		<description><![CDATA[幸福地握著讀羅蘭・巴特的 THE NEUTRAL，不禁想起大力推薦這書給我的正是上週五才過去的聲音裝置先鋒 Rolf Julius… 和他最後送我的那張新唱片 &#8220;Music for the Ears&#8221;… Safe journey back to your Neutral, Julius&#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Caustic Window</title>
		<link>http://www.post-concrete.com/blog/?p=9784</link>
		<comments>http://www.post-concrete.com/blog/?p=9784#comments</comments>
		<pubDate>Sun, 23 Jan 2011 02:57:50 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[潛航]]></category>

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		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<title>音樂史美術史即興</title>
		<link>http://www.post-concrete.com/blog/?p=9782</link>
		<comments>http://www.post-concrete.com/blog/?p=9782#comments</comments>
		<pubDate>Sun, 23 Jan 2011 02:39:00 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[潛航]]></category>
		<category><![CDATA[觀象]]></category>

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		<description><![CDATA[Santana／橫尾忠則 &#8211; Lotus Ajoy Chakrabarty &#8211; Vairagya]]></description>
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		<slash:comments>1</slash:comments>
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		<title>雪聲波形</title>
		<link>http://www.post-concrete.com/blog/?p=9778</link>
		<comments>http://www.post-concrete.com/blog/?p=9778#comments</comments>
		<pubDate>Wed, 19 Jan 2011 03:52:46 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[潛航]]></category>

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		<description><![CDATA[]]></description>
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		<slash:comments>7</slash:comments>
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		<title>雪形文字</title>
		<link>http://www.post-concrete.com/blog/?p=9774</link>
		<comments>http://www.post-concrete.com/blog/?p=9774#comments</comments>
		<pubDate>Tue, 18 Jan 2011 15:01:45 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[潛航]]></category>
		<category><![CDATA[讀字]]></category>

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		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>明日漢字擁有國</title>
		<link>http://www.post-concrete.com/blog/?p=9772</link>
		<comments>http://www.post-concrete.com/blog/?p=9772#comments</comments>
		<pubDate>Sat, 15 Jan 2011 05:32:00 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[潛航]]></category>

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		<description><![CDATA[「明日漢字擁有國」埼玉県的欣喜堂字体公司多年來用中國古代的書法和木刻字体改編成一套套的電腦字型。 態度方向正確。覺悟遙遙領先（發明大國及使用小國）。 『懐素草書千字文』（799年） 活字書体「詩草」 『集王聖教序碑』 活字書体「聖世」 大蔵経【楞厳寺刊本】『嘉興蔵』（1589年　楞厳寺）　 活字書体「嘉興」 http://www.kinkido.net/]]></description>
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		<slash:comments>12</slash:comments>
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		<title>七十年代末的甜蜜…</title>
		<link>http://www.post-concrete.com/blog/?p=9770</link>
		<comments>http://www.post-concrete.com/blog/?p=9770#comments</comments>
		<pubDate>Sat, 15 Jan 2011 02:49:25 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[絕版]]></category>
		<category><![CDATA[解牛]]></category>

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		<description><![CDATA[在一個細節，成雙的耳機插孔〜]]></description>
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		<slash:comments>1</slash:comments>
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		<title>CD 時代終結</title>
		<link>http://www.post-concrete.com/blog/?p=9766</link>
		<comments>http://www.post-concrete.com/blog/?p=9766#comments</comments>
		<pubDate>Thu, 13 Jan 2011 06:30:30 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[解牛]]></category>

		<guid isPermaLink="false">http://www.post-concrete.com/blog/?p=9766</guid>
		<description><![CDATA[SONY 宣佈今年三月關閉位於 New Jersey 州佔地五十萬平方英呎的前 Columbia 哥倫比亞唱片公司巨型唱片工廠。該廠自 1961 年起大量生產美國黑膠唱片，1987 年移交 Sony 製造 CD/DVD，月產量曾高達一千八百萬張 CD。 我可以預見的是，CD 即將像黑膠末期被手快的收藏家大量屯積，之後進入小眾玩家收藏交易市場〜 http://www.newjerseynewsroom.com/economy/sony-to-close-cd-manufacturing-plant-in-pitman http://www.networkworld.com/community/blog/sign-digital-times-sony-shutting-plant-used-m]]></description>
		<wfw:commentRss>http://www.post-concrete.com/blog/?feed=rss2&#038;p=9766</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>異兆</title>
		<link>http://www.post-concrete.com/blog/?p=9764</link>
		<comments>http://www.post-concrete.com/blog/?p=9764#comments</comments>
		<pubDate>Thu, 13 Jan 2011 04:54:32 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[漂耳]]></category>
		<category><![CDATA[潛航]]></category>

		<guid isPermaLink="false">http://www.post-concrete.com/blog/?p=9764</guid>
		<description><![CDATA[「Fake Keith Jarrett (@fakejarrett) is now following your tweets (@dajuin) on Twitter.」]]></description>
		<wfw:commentRss>http://www.post-concrete.com/blog/?feed=rss2&#038;p=9764</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>三島由紀夫與飛盤</title>
		<link>http://www.post-concrete.com/blog/?p=9760</link>
		<comments>http://www.post-concrete.com/blog/?p=9760#comments</comments>
		<pubDate>Thu, 13 Jan 2011 04:32:02 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[讀字]]></category>

		<guid isPermaLink="false">http://www.post-concrete.com/blog/?p=9760</guid>
		<description><![CDATA[三島由紀夫 1958 年與江戸川乱歩（後眼鏡者）在「宝石」雜誌企画的「狐狗狸の夕べ座談会」上同觀芥川比呂志、杉村春子等人玩「狐狗狸」（類似中國碟仙） 注意前景小碟似騰起〜]]></description>
		<wfw:commentRss>http://www.post-concrete.com/blog/?feed=rss2&#038;p=9760</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>芥川龍之介</title>
		<link>http://www.post-concrete.com/blog/?p=9756</link>
		<comments>http://www.post-concrete.com/blog/?p=9756#comments</comments>
		<pubDate>Thu, 13 Jan 2011 04:26:11 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[讀字]]></category>

		<guid isPermaLink="false">http://www.post-concrete.com/blog/?p=9756</guid>
		<description><![CDATA[此幀未見，疑為手工著色版，油畫？]]></description>
		<wfw:commentRss>http://www.post-concrete.com/blog/?feed=rss2&#038;p=9756</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>泉鏡花手稿</title>
		<link>http://www.post-concrete.com/blog/?p=9743</link>
		<comments>http://www.post-concrete.com/blog/?p=9743#comments</comments>
		<pubDate>Wed, 12 Jan 2011 18:26:17 +0000</pubDate>
		<dc:creator>Dajuin</dc:creator>
				<category><![CDATA[潛航]]></category>
		<category><![CDATA[讀字]]></category>

		<guid isPermaLink="false">http://www.post-concrete.com/blog/?p=9743</guid>
		<description><![CDATA[]]></description>
		<wfw:commentRss>http://www.post-concrete.com/blog/?feed=rss2&#038;p=9743</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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